What's Wrong With the DCP?
2015-March: There are two kinds of DCPs in the world: Good DCP and Bad DCP. The name we give Good DCP is SMPTE DCP. The name we give Bad DCP is Interop DCP. It's time
to give Bad DCP the respect it deserves, and formalize it.
Cinema Without Walls
December 2012: By the end of 2012, it's expected that at least 85,000, or 70 percent, of the world's cinema screens will be converted to digital projection. But for the art of cinema, this is only the beginning. The Hobbit gives a clue.
How to Critique 3D by Matthew DeJohn of In-Three
April 2010: What causes 3D to be bad or good? This piece exposes some of the dirty secrets behind creating 3D in the hope that education will help keep quality high.
Understanding 3D by Matthew DeJohn of In-Three and Michael Karagosian
March 2010: How does the illusion work? How is 3D produced? Why is some 3D good, and some not-so-good? How can 3D enhance storytelling?
Even if you don't work in motion picture production, you'll find this information useful.
Who Do You Trust?
January 2010: The security trust model in digital cinema is not well described in available literature. This article explains the digital cinema trust model,
including the concepts behind it, such as "Trusted Device List" (TDL), Key Delivery Message (KDM), and Facility List Message (FLM).
SMPTE DCP Compliance is On the Way
December 2009: The introduction of the SMPTE DCP to the supply chain will take the industry significantly closer to meeting the DCI specification. It will also
introduce a host of features for those with disabilities.
Digital Cinema Finance 101
November 2009: Exhibitors today are faced with several options for acquiring digital cinema equipment. If seeking to subsidize equipment purchases through
virtual print fees, it is worth taking time to understand the hurdles to financing such deals.
Should DCI open its doors?
September 2009: Digital Cinema Initiative's willingness to revise its specifications and test plan is creating an impact.
Overall, DCI has performed the task it originally set out to do. Perhaps it's time to rethink how it moves forward.
Beyond the Rollout: Towards Digital Cinema 2.0
2014-August: Presented at Media Salles in Germany. By any measure, the transition to digital cinema has been a success. At the time of this presentation, over 120,000 screens around the world were digitized. But technology has a habit of not sitting still. This presentation lends insight to the emerging technologies that will drive Digital Cinema 2.0.
The Digital Kitchen Sink: DCPs, KDMs, and Accessibility
2014-August: Presented at Media Salles in Germany. A high level review of the DCP, the KDM, and how accessibility (closed captions, audio description) in cinema is implemented. If you don't know what these are, then this is an excellent presentation to review.
Keep up with the latest in digital cinema by reading mkpeReport.
Digital Cinema Perspectives. A highly informative collection of interviews with world experts in the creation and exhibition of digital content. Interviews conducted by Alléne Hébert.
Compiled and edited by the IP-Racine Consortium. Interviewees include Michael Karagosian.
Understanding Digital Cinema. Informative book on the technology of digital cinema. Edited by Charles Swartz, with a chapter authored by Michael Karagosian.
Presentations require Adobe Reader or Adobe Flash Player (free)